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7 Essential Techniques for Crafting Captivating Walking Jazz Bass Lines – Unleash Your Groove!

Jese Leos
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Published in Constructing Walking Jazz Bass Lines Walking Bass Lines : The Blues In 12 Keys
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Learn How To Construct Walking Jazz Bass Lines With These 7 Essential Techniques Constructing Walking Jazz Bass Lines Walking Bass Lines : The Blues In 12 Keys

Walking bass lines are the rhythmic foundation behind jazz music, creating a compelling framework for improvisation. With their unique blend of groove and creativity, walking jazz bass lines mesmerize audiences and keep them tapping their feet to the rhythm. If you aspire to be the backbone of a jazz ensemble, learning how to construct captivating walking bass lines is crucial.

1. Root Movement

The foundation of a great walking bass line is rooted in the movement of the bass notes. Classic bass lines often follow a pattern of root notes descending or ascending chromatically or diatonically. This creates a smooth and fluid sound that seamlessly connects chords and keeps the groove intact.

2. Rhythmic Variations

To add interest and maintain a dynamic groove, incorporating rhythmic variations is key. Syncopation, accenting certain beats, and adding space between notes all contribute to the complexity and excitement of a walking bass line.

Constructing Walking Jazz Bass Lines Walking Bass lines : The Blues in 12 keys
Constructing Walking Jazz Bass Lines - Walking Bass lines : The Blues in 12 keys
by Steven Mooney(Kindle Edition)

4.6 out of 5

Language : English
File size : 6097 KB
Text-to-Speech : Enabled
Screen Reader : Supported
Enhanced typesetting : Enabled
Print length : 100 pages
Lending : Enabled

3. Chord Tones and Passing Tones

It's essential to familiarize yourself with the chord progressions of the song you're playing. By emphasizing the chord tones while transitioning between chords with passing tones, you create a melodic and harmonically rich bass line.

4. Chromatic Approaches and Enclosures

Chromaticism is a powerful tool when constructing jazz bass lines. Utilizing chromatic approaches, where you briefly play a note from outside the chord scale, adds tension and excitement. Enclosures, surrounding a target note with chromatic or diatonic notes, create a smooth and melodic transition.

5. Arpeggios and Scale Runs

Arpeggios and scale runs are essential techniques for adding melodic interest to your walking bass lines. By playing arpeggios of the underlying chords or running through scales that relate to the key, you can create melodic phrases that resonate with the harmony of the song.

6. Ghost Notes and Slides

Ghost notes, where you play barely audible or muted notes, add depth and subtlety to your walking bass lines. Sliding between notes smoothly further enhances the groove and captures the attention of the listener.

7. Analyzing and Transcribing Master Bassists

To truly master the art of constructing walking jazz bass lines, it is crucial to study and transcribe the playing of renowned bassists. By analyzing their phrasing, note choices, and rhythmic concepts, you can gain valuable insights that will greatly contribute to your own bass line construction.

Crafted with immense creativity and meticulous attention to detail, walking jazz bass lines are a true testament to the artistry of bassists. By incorporating these seven essential techniques into your playing, you can unlock a world of groove and captivate audiences with your impeccable walking bass lines. Practice diligently, explore your creativity, and let the infectious groove of jazz music take you on an unforgettable musical journey!

This article is brought to you by Jazz Groove Mastery - Your guide to mastering jazz bass lines!

Constructing Walking Jazz Bass Lines Walking Bass lines : The Blues in 12 keys
Constructing Walking Jazz Bass Lines - Walking Bass lines : The Blues in 12 keys
by Steven Mooney(Kindle Edition)

4.6 out of 5

Language : English
File size : 6097 KB
Text-to-Speech : Enabled
Screen Reader : Supported
Enhanced typesetting : Enabled
Print length : 100 pages
Lending : Enabled

*New 2hr MP3 Playalong free download featuring all chord progressions in 12 keys from Part II of the Book available from website.*

The Blues in 12 Keys is a complete guide demonstrating the devices used to construct walking bass lines in the jazz tradition.


Book I in the " Constructing Walking Jazz Bass Lines " series covering the " MUST KNOW " chord changes for the jazz bassist.
The Jazz Blues progression is an essential part of the Jazz Bassist vocabulary and was practiced in all 12 keys along with " Rhythm
Changes " by the Be Bop players.

The Blues in 12 Keys is a complete guide demonstrating the devices
used to construct walking bass lines in the jazz tradition. The book
starts out in Part 1 by demonstrating the various techniques used to
provide forward motion into the bass lines, while providing
a strong harmonic and rhythmic foundation.
The exercises are designed to give the Double Bassist & Electric
Bassist strong jazz bass lines in the bottom register of the instrument.
As an added bonus for the Double Bassist Part 1 provides a complete
study of the blues in F whilst in the first position.
This is an excellent technique builder in itself.
Part 2 expands on the lessons and techniques used in Part 1 providing
the student with the previous devices used in professional level bass
lines in all 12 keys.

Included is over 150 choruses of jazz blues lines in all 12 keys using
the whole register of the instrument.
There are many advanced principles applied in the following bass
lines whilst never losing sight of the functioning principle of the bass
in the jazz idiom.
To provide a strong foundation of rhythm and harmony for the music
being played & providing support for the melody and or soloist.


PART 1The Blues in F
The " 2 " feel
The Jazz blues progression and the use of triads
Embellishing the " 2 " feel
The Dominant 7th chord
Chromatic approach from below
Chromatic approach from above
Chromaticism and the walk up
and the walk down
Repeated notes and chromaticism
Harmonic Anticipation and playing across the bar line
Voice leading 7th chords
Pedal points
Tri-Tone substitution
The Turnaround
PART 2
Blues in F
Blues in Gb
Blues in G
Blues in Ab
Blues in A
Blues in Bb
Blues in B
Blues in C
Blues in Db
Blues in D
Blues in Eb
Blues in E

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